Subjunctive Mood: Threads of Tension Across Genre
JOSEPH EARL THOMAS
This creative nonfiction workshop will consider how a sentence might live in one world and change its mind midway as a function of the author’s thought and style.
University of the West Indies, Mona, May 26-29, 2026, Kingston, Jamaica
JOSEPH EARL THOMAS
This creative nonfiction workshop will consider how a sentence might live in one world and change its mind midway as a function of the author’s thought and style.
TANYA SHIRLEY This workshop will look at the multiple ways poetry can interrogate factual information.
OLIVE SENIOR
Through writing exercises, reading samples, sharing work, and robust conversation, we will look at the traditional elements of storytelling and how they work together to pull the reader in.
MARLON JAMES
This is what you will be doing in this workshop: writing Fiction as a response to Fiction. The dismissed voice, the monster with a soul, the character without agency, the character everybody but you forgot.
JASON ALLEN-PAISANT
Through discussion and generative writing, this module offers tools and inspiration to transform visual art into vibrant, resonant poetic expression.
GAIUTRA BAHADUR
In this craft studio, we’ll read together short excerpts from writing that puts objects to work. And you’ll produce a piece of creative nonfiction in which you write through an object.
ROLAND WATSON-GRANT
We write fiction to tell deeper truths, but we can also use fiction techniques to write non-fiction. Engaging an audience is about how you tell it, how you bend time, how you choose language…
For our first writing studio PREE is gathering together a Booker Prize winner, a Wyndham Campbell Award winner, an OprahContinue Reading







